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The painting was painted in 1906. This earlier painting by the painter most vividly demonstrates that a real resident of the city entered the landscape painting of Russia, with a special outlook and a new outlook on nature. He is really able to see the true and unique beauty of nature between pretty monotonous roofs of absolutely any city. Krymov fully feels it himself and always makes his viewers feel that there is a secret life.
Very often we do not see this, because we are constantly in a hurry somewhere. But it is worth stopping and taking a closer look, as something new will be revealed, hitherto hidden from our sight. It turns out that the nature of the city is no less beautiful than that which can be seen outside the city. Not everyone can consider its quiet mysterious beauty.
The composition is built as if it was not a picture, but a frame from a film or a photograph. The softness of the color transition is associated with pictures of a wonderful dream, which quickly replace one another.
Nature seems to freeze before our eyes. It is very important that we fully feel the presence of the artist himself, who is in a state of contemplation.
It is very important for Krymov to perceive nature incredibly lively and necessarily emotional. All kinds of experiments and constructions, created completely far-fetched, are completely abhorrent to him.
The landscape was painted in the imagination of Krymov. He uses his incredible knowledge of nature and depicts his own emotional state at a certain moment. Krymov sought to convey the whole nature, but at the same time emphasize the features of its details. For this reason, the pictures were quite generalized.
This early work by Krymov was appreciated by many artists. The Tretyakov Gallery decided to purchase it, deciding that it is worthy of being in the museum.
Savrasov Rooks Have Arrived